Client: Neither a sofa nor an armchair
Between by Sara Polmar
A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal character of the object and the changing and changeable nature of its contents.
A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal.
A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around.
A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around.